Indigenous Characters and Their Nation: A Socio-Political Analysis of Selected Nepali Plays

The rise of modern Nepali intellectuals especially in Kathmandu during the 1930s inspired many writers and political leaders to articulate new narratives nation. For instance, Balkrishna Sama’s Mukunda Indira, Bhimnidhi Tiwari’s Sahanshila Sushila (Permissive Sushila) present characters from various strata society. In plays, indigenous communities speak about psycho-social realities time. plays are humble hardworking. But play Simma written by Rayan right before 1980 referendum, time Panchayat regime became stronger kept denying people’s democratic rights become politically vocal. They question polity based on social theories. However, Mayadevika Sapana (Dreams Mayadevi) Abhi Subedi staged 2004 later years for universal peace brotherhood. By drawing upon Ludwig Stiller Mahesh Chandra Regmi’s social, economic interpretation Nepal’s history, particularly nineteenth century, article concludes that while presenting characters, playwrights directly indirectly address ills Nepal These characters' attitude towards their masters representatives state around reflects historical courses has gone through over centuries a force might free them such lines control.